Looking for:
Adobe photoshop elements 12 bedienungsanleitung deutsch free download |
Specify where Camera Raw settings are stored - Adobe Photoshop CS6 Bedienungsanleitung
- Identifying commonly used search categories - ACD Systems ACDSee 14 Bedienungsanleitung
- Adobe photoshop elements 12 bedienungsanleitung deutsch free download
The new colors become more vibrant, but the overall contrast is still inadequate. Drag the Shadows slider to 33 to retrieve detail in the dark bottle caps and bases; then set the Midtones to to increase contrast by shifting the tonal spread.
Click Done. Fluorescent back-lighting behind the translucent surface on which the bottles are standing has caused a combination of problems in this photo. Move the eyedropper cursor over the image and click on the translucent background between the bottles to reset the white point; then, click Done. Click the Auto Fix button in the Sharpen Photo pane. Click Done; then, choose Save As. In such cases, using the Smart Brush to adjust differently lit areas in the image separately is the perfect solution.
Sometimes the best way to enhance a photo is to modify just part of the image, or to treat separate areas—such as background and foreground elements—differently, rather than applying an adjustment to the photo overall. The quickest and easiest way to do this is to paint your adjustments directly onto the image with the Smart Brush tool. The Smart Brush is both a selection tool and an image adjustment tool—as you paint, it creates a selection based on similarities in color and texture, through which your choice of editing preset is applied.
Select the un-edited image DSCN Choose the Nature category from the Presets menu at the top of the pup-up menu, and then select the Make Dull Skies Blue preset. If you prefer, you can hide it as you work, and then show it again as needed by clicking the Tool Options button in the Task bar. As long as the adjustment remains active, your strokes will add to the current adjustment area. Drag the Layers panel out of the Panel Bin by its name tab, and then hide the Panel bin by un-checking its name in the Window menu.
Colored markers—Smart Brush adjustment pins—mark the points in the photo where you started dragging with the Smart Brush for each adjustment. Each Smart Brush edit occupies its own layer, where it remains active and separate from the image itself—so you can add to or subtract from the selection, tweak the effect, or even change which preset is applied, without permanently affecting your original photo.
The adjustment pins will be visible whenever the Smart Brush is active. Open the Smart Brush presets picker by clicking the Blue Skies thumbnail in the tool options pane. Select the Lighten Skin Tones preset from the Portrait category. Press Esc to close the Smart Brush presets picker. Make sure the selection includes hands, elbows, and at least a little of the base of some of the windswept wisps of hair.
A new adjustment pin appears on the image; in the Layers panel, a new adjustment layer is added for the Lighten Skin Tones effect. To the left of its layer mask thumbnail, the new adjustment layer displays a different icon from the Blue Skies effect, indicating that it applies a different type of adjustment through the painted mask. If you re-apply the same preset, the effects are usually cumulative; if you apply more than one effect to the same image area, their effects are combined.
Adjustment layers affect all lower layers in the Layers panel; rearranging the order of different adjustments applied to the same area can alter the combined effect. Watch the sky as you choose Reflected from the gradient Style menu; then, click OK.
You can use the adjacent menu to change the blending mode, but for now, leave it set to Color Burn. Double-click the gradient icon for Blue Skies 2; then, disable the Reverse option. Repeat the process for the layer Lighten Skin Tones 2, at the top of the layers list. This time, choose the Photoshop file format and activate the Layers option so that you can edit your adjustment layers later. Close the file. Many common file formats involve in-camera processing of the incoming image data that can effectively degrade the quality of the image.
In creating a compressed file, data deemed superfluous is discarded; in mapping the spread of captured data to a defined color space, the range of the color information can be narrowed. In contrast, raw images retain all of the data captured for each and every pixel. Capturing your photos in raw format gives you more flexibility and control when it comes to editing your images.
To see an up-to-date list of the camera models and proprietary raw file formats currently supported by Photoshop Elements, visit the Adobe website. Photoshop Elements opens the image in the Camera Raw window.
The moment you open a camera raw file for the first time, the Camera Raw plug-in creates what is sometimes referred to as a sidecar file in the same folder as the raw image file.
Check for updates and download the latest version of the plug-in at www. On the right side of the Camera Raw window is a control panel headed by three tabs: Basic, Detail, and Camera Calibration. Click the Toggle Full Screen Mode button at the right of the tool bar to switch to full screen mode.
You can apply the same settings you used for the last image you worked with, have Photoshop Elements revert to the default Camera Raw profile for your camera by choosing Reset Camera Raw Defaults, or save your own custom settings as the new default for the camera that captured this image.
You could correct the white balance of a photo shot on an overcast day, for example, by choosing the Cloudy preset. Other presets compensate for artificial lighting. The As Shot preset uses the settings recorded by your camera, while the Auto setting recalculates the white balance based on an analysis of the image data.
For many photos, the right preset will produce satisfactory results or at least serve as a basis for manual adjustment. When none of the presets takes your image in the right direction, you can use the White Balance tool to sample a neutral color in the photo, in relation to which Camera Raw will recalculate the white balance.
The ideal target is a light to medium gray that is neither discernibly warm or cool. In our sample photo, the weathered wood is a potential reference, but we can probably be more certain that the steel fencing wire in the background is a neutral gray.
Sample a medium gray from the center of the wire where it crosses a relatively dark area. If you see little effect, click a slightly different point. It may help to look for references such as white paper, clothing, or paint, and then sample a shaded area.
The White Balance is now set to Custom and the image has become cooler. The weathered wood in the background is a more neutral gray and the skin tones are rosier.
The eyes also look clearer, having lost the original yellow-orange cast. For example, although technically in need of correction, you might prefer the original, toowarm cast of our lesson image caused by late afternoon sunlight for its evocative, summery look. Although most often used for fine color correction, the white balance settings can also be applied creatively to achieve surprising and dramatic atmospheric effects.
Reset the Temperature control a little below the edited value of your value may differ, depending on where you clicked to set the white balance either by dragging the slider or typing the value into the text box. Now that the temperature has been adjusted towards blue, the automatically corrected tint of the image appears just a little pink.
On the right, the skin tones look more natural once the Temperature and Tint values have been reduced manually. Exposure adjusts the overall lightness or darkness of an image. Its effect is most apparent through the middle of the histogram; an increased Exposure setting will move the body of the curve to the right, compressing the highlights if possible, rather than shifting them off the end of the curve.
Tweak the Exposure to brighten a dull, underexposed photo or correct the flat, faded look of an overexposed image. Contrast is the amount of difference between the lightest and darkest areas of an image. The Contrast control has the most effect at the ends of the histogram; an increased setting moves information outwards from the center of the curve.
Adjust Contrast to add definition to a flat image, or to soften one that is too harsh or stark. Highlights recovers detail from overexposed highlights and improves midtone definition by shifting image information from the far right of the curve inwards.
Shadows recovers details from shadowed areas—something close to the inverse of the action of the Highlights control—and adds depth to the midtone range. Whites specifies which input levels are mapped to pure white in the final image.
Lowering the Whites value decreases clipping at the right end of the histogram. Blacks specifies which input levels will be mapped to black in the final image. Raising the Blacks value decreases clipping at the left end of the histogram.
Clarity increases the local contrast between adjacent light and dark areas, sharpening detail without producing halo effects, and enhancing the midtone contrast. Vibrance boosts color saturation selectively, having most effect on the muted colors in an image, while avoiding over-saturation of bolder colors and skin tones. Saturation is the purity, or strength, of a color. Increasing the Saturation reduces the amount of black or white mixed with the color, making it more vivid.
Reducing the Saturation increases the amount of black or white, making it more muted. The red areas that appear in the preview warn you which parts of the image are being clipped to white. Return the Whites to a zero setting. Set the Blacks to —the point below which the blue clipping warning appears in the darkest areas of the image. Watch the textural detail reappear in the sunlit wood as you reduce the Highlights setting to Press the U and O keys on your keyboard to disable the clipping warnings.
The photo originally looked somewhat dull, muddy, and indistinct, and a little too dark. It now shows a broader range of detail and is more vivid; the colors are brighter and the tones are more realistic. For the sake of clarity in our demonstration however, some of the adjustments you made were quite extreme. If you wish, you can now tone down the corrections to balance the image to your taste. Click the menu on the right and select 1 Digit Serial Number.
This will add the number 1 to the end of the file name. The file, together with all your current settings, will be saved in DNG format, which you can reprocess repeatedly without losing the original data. Choose one of the following:. Image Settings Uses the settings from the selected camera raw image. This option is available only from the Camera Raw Settings menu. Previous Conversion Uses the settings from the previous image of the same camera, camera model, or ISO setting.
Preset name Uses the settings which can be a subset of all image settings saved as a preset. Seite: Inhaltsangabe Contents. Brauchen Sie Hilfe? Frage stellen. Keine Ergebnisse. Adobe Photoshop Lightroom 5 Bedienungsanleitung Seiten. Adobe Photoshop Elements 11 Bedienungsanleitung Seiten.
Adobe Photoshop Elements 12 Bedienungsanleitung Seiten. For more information on changing your password and other account information, see Manage your Adobe ID account.
Converting your trial to a paid product is easy. See download and install Photoshop Elements. Click the order, and then click the printer icon. See Return, cancel, or exchange an Adobe order for step-by-step instructions. Find more account, billing, and plan answers. Follow information about resizing photos, see Cropping. You can quickly correct red or glowing eyes using the Red Eye Removal tool. For additional tips on retouching photos, see Retouch and correct photos.
If you want to touch up only a specific area in your photo, use the Sharpen tool. For more details, see Sharpen photos.
You can rotate the entire photo or a selection within a photo. For details and additional rotation options, see Transforming. Try using the Auto Smart Tone feature. For photos that appear tinted or off color usually from using a flash , try the Remove Color Cast command.
If you've taken multiple shots of a group, use the Photomerge Group Shot option to pick and choose the right shot of each person.
For instructions, see Guided mode - Photomerge edits. Use the Text tool to add text to your photos. You can add horizontal or vertical text, or type the text along a shape or path.
Use preset shapes, like a heart or circle, follow the shape of an object, or create a custom path for the text. For step-by-step instructions, see Add text.
Quick mode includes a Frames panel with several predesigned frames. Learn how to adjust the size and placement of the photo in the tutorial, Apply effects, textures, and frames. You can also create your own frame using the Guided mode Frame Creator. The Filter menu includes additional artistic, brush stroke, and sketch filters.
Play with the settings on the right for just the right look. For step-by-step instructions and tips, see Filters. The Create menu lets you choose from various projects and templates.
For instructions, see Create a greeting card and Create photo calendars.
Comments
Post a Comment